Women with fire masks, Downshire Hill, London, 1941. Lee Miller.

Lotte Reiniger

WHERE SHE IS AT, 2001 by Johanna Billing

Rodchenko

Jan Van Toorn

Jamie Reid

EAMES BUCKET CHAIRS by Mike Perry

http://www.mikeperrystudio.com/work/brand-new

Aquarium (wallpaper) from querozenn on Vimeo.

Burak Arikan

according to Arikan: When a digital camera is placed close to a computer screen we can discover a new disharmony. The intersection of the limits of the devices - the camera’s zoom and the screen’s resolution - creates blurry images. Having world flags on the screen to which the camera moves too close reminds the problem of having physically distinct but politically blurry borders between nations.

http://burak-arikan.com/

Emilie Halpern

Johanna Billing

MAGICAL WORLD documents a group of children from Zagreb, Croatia performing this pop masterpiece, originally written for the Chicago vocal group "The Rotary Connection" in the summer of love. This very mixed vocal pop ensemble with the outstanding voice of Minnie Ripperton in lead is in Billings version replaced by a group of suburban kids, singing: "Why do you wake me up / From such a beautiful dream / Can't you see that I am sleeping / So why / don't you leave me alone /... / I live in a magical world."

Knittas

Connie Imboden

Ansen Seale

Temporal Form Series



Relativity

Head by Moholy-Nagy

Frankenstein. 1931. USA. Directed by James Whale.

one of my favorite scenes from film history.

Thomas Eakins's Motion Study, male nude, standing jump to right, 1885.

N55's Walking House prototype

Last Breath in Alaska (Found Object) (2008) by Pascual Sisto

a plastic bag obstructs the Google Maps Street View of Minnie Street in Fairbanks, Alaska, swirling in a constant loop at its now defunct url: lastbreathinalaska.com.

the world captured by Google by Jon Rafman

http://googlestreetviews.com/

Pilobolus perform "Symbiosis"

joseph pelling

outside the box from joseph Pelling on Vimeo.

Night Lights

night lights from thesystemis on Vimeo.

YesYesNo were asked to turn the Auckland Ferry Building into an interactive playground for the viewers. There were 3 different types of interaction – body interaction on the two stages, hand interaction above a light table, and phone interaction with the tracking of waving phones. That input was then used to manipulate 6 different scenes.

Pakayla Biehn

Pakayla Biehn’s most recent body of work concerns her congenital vision disability, called Strabismus. Her eyesight consists of mutually exclusive images trying, unsuccessfully, to bond into a cohesive impression. She uses her own embodied identity as a starting point for her paintings and installations. Her goal is to find a visual language to negotiate the intersection of imagery and create a similar perspective to give the viewer an understanding of her own optical condition.-Gallery Six in San Francisco

Gerhardt Knodel

Gerhardt Knodel, Gaurdians of a New Day, 1987, four panels, cotton, mylar, and linen